For a few years, I tried my hand at filmmaking. I was OK at it; however, it was during a time when the competition was amazing. OK, wasn’t good enough. Fortunately, I had a backup job and, after a couple of years of being OK at filmmaking, I returned to technical writing. I was surprised to find that after being a filmmaker for a while, my technical writing had, somehow, improved, even though I did absolutely zero technical writing as a filmmaker.
Here are some of the lessons I learned as a filmmaker that apparently had more value when applied to technical writing.
All that matters is what people see on the screen
As an independent filmmaker I watched many independent films. Those scars will be with me for the rest of my life (If you’ve watched indie films, you know what I mean. If you haven’t, you’ve been warned). Some of my films must have scarred others (sorry). I believe filmmaker Robert Rodriquez said in Rebel Without a Crew, that you needed to make several hundred films before you become a filmmaker. I would agree. I still had a few hundred more to go before I ran out of money.
Before watching others’ films, the Directors (or, more often, director/producer/writer/photographer/star) would give a brief commentary and, invariably, these commentaries included all the things that didn’t go as hoped or as planned—preparing us for what were about to experience (i.e. lowering our expectations). While of some interest to the filmmakers in the audience, this information was irrelevant to anyone else.
What matters to the audience (i.e. those who might actually pay to see/rent/download the film) is what is on the screen. Period.
Tech writing takeaway: the reader will judge the content for what they see and not what you would like them to see.